Kyle seemed a bit reluctant to return, I think that he thought that the pain would still be there.I did visit with a few others, too much favouritism might set off alarm bells, especially when two of the people that I, a middle-aged man visited were good-looking younger females.I was being released, I could go home. First, I went to Barbara, and then Martha, and then a few others. Martha was ready to return, although she was also afraid of the pain, but Barbara was still holding on tight to her fear, she wasn’t ready to let go.I got back to the house, and as soon as I was alone, I went looking for the dolls. Barbara/Barbie acted as though she didn’t know me, aloof, just another plastic doll. I had betrayed her.On the other hand, my interaction with Martha showed me that I was still in tune with the dolls, I couldn’t hear her, but she heard me, she nodded in the affirmative.Kyle/Ken was ready to go back as soon as he realised that the pain was no longer there. I watched as the doll. However, I like to think that the changes were for the better.Without question, real people and situations have served as a majorsource of inspiration for me, just as they fill that function for almostany fiction writer anywhere, I believe. Even though the basic plot in mystory is obviously a matter of pure imagination, there are elements,both subtle and not so subtle, that some who are personally familiarwith me might recognize. That said, I must stress that none of thecharacters here is supposed to be viewed as an insertion or a caricatureof an actual person from my own life, no matter what deliberate orcoincidental similarities there may be. In particular, this goes for ourhero, Mr. Caldwell. It does seem that whenever I write a story, myprotagonists and even antagonists unavoidably take on small bits andpieces of me, of my personality, my background and my way of thinking--especially if I use first person narration, as in here; still, thereader should absolutely not think of Mike.
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